Showing posts with label competition. Show all posts
Showing posts with label competition. Show all posts

Saturday, February 20, 2010

Day 10 - That Damned Asterisk

 
MAMMUTH - forget all this art bollocks, just give me an extremely fat Frenchman on a motorbike. Absolute genius.

The competition is about to reach its annual orgasm of tiny, shiny bears, but don't ask me for predictions. Despite my determined efforts to neglect the rest of the festival this year so that I'd have an informed opinion at this stage, I find that I have only seen eleven of the twenty competition films.

So I have no idea who will win what and when I find out, there is a good chance I won't know who the fuck they are. I might as well have been at a jazz festival in southern Ukraine. Buggery bollocks. Why is this, even though the doorman with the earring and the posh glasses at the Berlinale Palast began to show unnerving familiarity whenever I hove into view? It's because of that bastard asterisk next to the title - the asterisk designating that although the film is 'in competition' it is in fact 'out of competition' - that asterisk makes the film a kind of Schrödinger's Cat, and I am drawn to the paradox. So I saw nearly all of them.

So, with my half-knowledge, here's my prediction/advice to the jury: just give all the bears to MAMMUTH, the vehicle for Gerard Depardieu's 'Wrestler' role. It's apparently the only funny and moving film that has not been slapped with a restraining order and ordered to stay at least 50 metres away from the competition and never phone it.

Here is the assessment of a German who has seen all of them (except he apparently wrote it yesterday, and so missed En Familie, The Killer Inside Me and Mammuth.) He reckons the Berlinale competition has become an embarrassing parade of mediocrity, and blames festival director Dieter Kosslick for "not understanding anything about art" and the selectors for being under the influence of certain distributors - interestingly, he identifies a German company responsible for five of the official selections.

Like this esteemed German, I also found a lot of the films a bit boring. But when it comes to choosing his favourite, it turns out he likes Caterpillar second best, an experience which I found similar to being repeatedly punched in the face by an angry child. So there you go. The competition is probably as good as it's ever been, this bitter bastard is probably just jealous of Kosslick, and it's all a big bag of bollocks anyway.

Wednesday, February 17, 2010

Day 7 - Weak Competition

Keep driving, Marty! We're getting the hell out of that competition.

Everyone says it's a weak competition this year. People say this every year, but this year my mate Ingo said it, and he's my most trusted source for movie opinion, even if he is a German film student. I can't help but agree, though I can't remember the competition being that much stronger in other years.

For what it's worth, here's my incomplete round-up.

HOWL - The story of Allen Ginsberg's obscenity trial + embarrassing animations. Quick capsule review: Turdburger

MY NAME IS KHAN (out of competition) - Bollywood style 9/11 soap featuring annoying autism acting. Quick capsule review: Please stop doing that face.

IF I WANT TO WHISTLE, I WHISTLE - tense Romanian young offenders drama. Quick capsule review: stark, scary and well-acted. But should he should chill out about his mum.

SHUTTER ISLAND (out of competition) - Scorcese does Hitchcock. Quick capsule review: Lightweight and silly, but very entertaining.

A WOMAN, A GUN AND A NOODLE SHOP - Chinese re-make of the Coens' Blood Simple, re-imagined in medieval China, as a farce. Quick capsule review: Bizarre and weirdly perfect in its old-fashioned way.

EXIT THROUGH THE GIFT SHOP (out of competition) - Banksy documentary. Quick capsule review: Fucking brilliant.

CATERPILLAR - Japanese amputation fun. Quick capsule review: AAARRGGHH!

THE KIDS ARE ALL RIGHT (out of competition) - American liberal lesbo-comedy. Quick capsule review: Really good acting and lovingly realized characters. But they may extremely annoy you, and there are a lot of bad bits.

HOW I ENDED THIS SUMMER - Russian movie set on an Arctic weather station. Only two characters. One of them makes a decision near the beginning which makes absolutely no sense and therefore ruins the rest of the film. Quick capsule review: JUST TELL HIM!

Where does this leave us? Only one stand-out film (EXIT). The rest: Meh. What's for dinner?